
LeMaitre Collection.
Facial maxillary surgery. France.

Peculiare di Samorì è il gesto artistico finale: “Ho sollevato col bulino un
singolo filamento di colore, circuendo la testa ridipinta
di nero per raggiungere la stretta di indice e pollice che in
un’immagine antica reggevano un anello. Il ritratto si è fatto
cerchio”. Nicola Samorì, In principio era la fine. Olio su tavola, 40×30 cm, 2016.


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CLASS: Homo sapiens
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Three large Nepenthes hamata upper pitchers at Christian Klein’s
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We know we are alive and know we will die. We also know we will suffer during our lives before suffering—slowly or quickly—as we draw near to death. This is the knowledge we “enjoy” as the most intelligent organisms to gush from the womb of nature. And being so, we feel shortchanged if there is nothing else for us than to survive, reproduce, and die. We want there to be more to it than that, or to think there is. This is the tragedy: Consciousness has forced us into the paradoxical position of striving to be unself-conscious of what we are—hunks of spoiling flesh on disintegrating bones.
